A 81 year old little punk. A lamp without a bulb.. A few quarts short of full. A real live buffon. A two-bit snot. the son of an admitted gay father. A professional putz. A really poor American. A tiny chicken man. Go on now, go, …walk out the door…Just turn around now, ’cause you’re not welcome anymore…..Just GO!
This dumb, deranged poser has a small head full of mush and a smaller brain. Robert De Niro needs to leave our country. He’s as Un-American as a European Hippie and while it’s our policy to welcome immigrants, it makes perfect sense and should be our policy to reveal frauds like De Niro. This guy has abused us by taking us for granted. Go..Go away. Go away Lil Bobby.
U.G.L.Y. You Ugly! Real Ugly!
Tiny little Brain. Losing all his hair.. Thinks he’s quite a dandy but there’s not much there.
A politician or journalist may practice deceit, but a great actor should not. The power of De Niro’s acting transcended play-acting to find universal truths — not Oprah’s “your truth,” but our truth. And that’s what De Niro’s political tantrums have debased.
Political stunts such as the appalling moment De Niro came onstage at the Tony Awards having only two words to say (“F*** Trump”) displayed mental defectiveness. These stunts show what it looks like to be deluded in an elitist media bubble. Of course the ideologically biased Broadway community who pathologically hates President Trump gave Lil Bobby a standing ovation. He was among idiots and intellectual morons
Fortunately, he was scheduled to accept a leadership award from the National Association of Broadcasters, but the group has rescinded the award after the celebrity spoke out against Donald Trump outside the former president’s criminal trial in New York this week, the Hill and the Huffington Post report. Good.. Good for the Hill and The Huff Post for recognizing a fake when he shows up.
De Niro’s manipulation by political scoundrels — his naïve credulity in the face of their brazen dishonesty — has disfigured him as both an artist and specifically as an American.
He opened NOBU, a fish joint with two partners who hired everyone but De Niro doesn’t work at the restaurant.
De Niro’s Trump derangement syndrome makes him unreliable — and it’s based in psychotic delusion — but, ultimately, depressingly, he’s intellectually untrustworthy.
In the Seventies, Paul Newman, Robert Redford, and Warren Beatty argued that the extra benefit of stardom gave actors the right to use celebrity for political influence. But for De Niro, it’s the worst thing an actor can do to himself. That early sign of De Niro’s so called “talent” (playing a cop interrogating a mop in Brian De Palma’s counterculture satire Hi, Mom!) is disgraced.
De Nero strikes one as a slightly unhinged individual especially after his “fuck Trump” tirades in front of an audience. Take away a Hollywood script and he’s apathetic speaker. We often fall into the trap of seeing good actors as much like the characters they portray. De Niro is a good actor but that doesn’t mean he s a good human being.
Describing how the Trump show trial has degraded America’s legal institution, Representative Byron Donalds said, “Hollywood could not write a script like this,” meaning that the atrocity, which suckered De Niro, was beyond all reason. Our former trust in De Niro’s great artistry was based in his sensitivity — including the insanity, illogic, and meanness that is difficult to countenance in politicians who have gone over to the dark side out of greed and power-madness. But De Niro’s real-life misbehavior comes across as crazed rather than revelatory. And recent crank roles in Killers of the Flower Moon and Amsterdam don’t win back the admiration he has lost. No Hollywood screenwriter could imagine such a downfall. De Niro sunken into lunacy is his scariest role because it also reveals the Liberal/Left’s psychotic collapse.
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