Quoted Form Breitbart: “Last year The Last Jedi made a ton of money, but it still waaaay-underperformed. After a boffo opening, word of mouth about the movie’s annoying, spell-breaking gender politics drove it into the dirt. Adjusted for inflation, Last Jedi has pooped on it’s shoes. 

Last Jedi, producer Mz. Kathleen Kennedy’s bossy decision to infect a far, far away galaxy that existed a long time ago, with the mentality of a 22-year-old  Womyn’s Studies graduate with a minor in Social Justice Warrior annoyed tons of people. 

Kennedy not only popped the cherry of the SJW  world, she did so at the expense of characters, story logic, and so much of what made Star Wars Star Wars.

Rey has almost no charisma, she only serves as Kennedy’s perfectly-perfect Mary Sue. (Follow the link…It’s worth it) Worse still, Last Jedi shit all over Luke Skywalker, sent a bunch of Dumb Men on a ludicrously stupid wild goose chase (but not before they Occupy Wallstreet’d some mofos),  and turned Poe (who should be this new trilogy’s star) into all the avatar of all male chauvinist pigs who ever dared second guess Mizzz. Kennedy.

Which brings me to Solo.

How bad is Solo crash-landing at the box office?

With a production budget north of $250 million plus $150 to $200 million poured into promotion, Solo will need to clear around $900 million worldwide just to break even. But worldwide, the news is even worse: Solo has grossed a pathetic $65 million after opening in every major country but Japan. Rogue One earned $135 million during its international debut.

Solo is going to lose money.

A freakin’ Star Wars movie is going to lose money.

Not a single one of the trades (Deadline, Hollywood Reporter, Variety) has, to my knowledge, blamed Solo’s box office dive on Kennedy’s story-killing infusion of divisive, left-wing politics. Instead, all of these studio ass-kissers are blaming Star Wars Fatigue (which is total nonsense) and anything other than the fact that maybe it wasn’t a good idea to turn Lando Calrissian into something called a “pansexual” who is probably having sex with a droid who spews more feminist bromides than Jake Tapper after two Zimas.

Worse still, thanks to Hollywood’s ongoing attack on “toxic” masculinity, Harrison Ford is replaced with a child, a diminutive soy boy who displays none of Han Solo’s earned cockiness, his world-weary competence, the manliness that hid his big heart. Naturally, he is in love with a 65-pound girl who can kick a grown man’s butt using nothing more than a please-cheer-here-grrrls pose that only achieves iconic status in the department of desperate farce.

Disney murdered the Muppets with left-wing politics, and now the studio is allowing Mizzz. Kennedy to kill Star Wars — a franchise that was once so bullet-proof and buried in audience goodwill, it survived the Lucas prequels.

Compare that to Wonder Woman. As of February 2018, Rotten Tomatoes listed the movie No. 2 on its list of the “Best Superhero Movies of All Time”, and the American Film Institute selected it as one of the top 10 Movies of the Year.[9] The film received three nominations at the 23rd Critics’ Choice Awards, winning Best Action Movie. A sequel is set to be released on November 1, 2019. that’s what movie fans want. Not the Disney Left Wingnut Marxian SJW propaganda crap movies.

 

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