It’s correct that the Disney writers have purposely reduced the presence of white males and white females unless they are villeins.  HERE.

An astonishing New York Times article makes clear the anti-white direction the Star Wars franchise is headed, after Disney took over originator Lucasfilm in 2012:


“The message of the new Star Wars franchise since Disney purchased the rights from George Lucas can be distilled into this formula:

  • White = bad
  • Nonwhite (white females are honorary nonwhites, until they aren’t) = good


“Whiteness has been completely deconstructed to be the embodiment of evil, an unforgivable microaggression itself. A month after Trump’s victory, its writers directly said Donald Trump and white people are the embodiment of evil:

“HIDDEN FIGURES Myth Dissolves–It Wasn’t Blacks Who Got America To The Moon, They Actually Wanted To Stop It
“As man was about to land on the moon, the black magazine Jet was condemning the space program for using money which could be better spent on welfare programs for blacks. [Blacks Scarce as Men on Moon at Launch, by Simeon Booker, Jet, July 31, 1969]

“Not to be outdone, Ebony magazine published an editorial comparing white men going to the moon to Columbus’s voyage to the New World, which led “to one of the most infamous and long lasting rapes of all history” [Giant Leap for Mankind?, Ebony, October 1969]

“The prior month, Ebony had reported that blacks opposed what they thought was a misallocation of white taxpayer dollars better suited for ameliorating poverty in black communities and Africa:

“From Harlem to Watts, the first moon landing in July of last year was viewed cynically as one small step for “The Man,” and probably a giant leap in the wrong direction for mankind. Large segments of the rest of the population, except perhaps at the time of the first landing, were merely bored.

“[How Blacks View Mankind’s ‘Giant Step’: Space scientists, laymen see space program from different perspective, by Steven Morris Ebony, , September 1970, p. 33]


“Hidden Figures was made with the painfully-obvious agenda of delegitimizing the contributions of white scientists, physicists, engineers, mathematicians, project managers, aviation experts and rocket scientists. Instead, America’s greatest triumph evidently hinged on unknown black women manually calculating trajectories already confirmed by computers and a white man named Jack Crenshaw. The real truth about black opposition to the space program has been hidden in plain sight.See the articles in Ebony and Jet.
Finally, his is about getting some truth. Let’s get it done.

HERE.

Views: 28